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The MediaArtHistories masters program conveys the most important developments of contemporary art through a network of renowned international theorists, artists and curators like Steve DIETZ, Erkki HUHTAMO, Lev MANOVICH, Christiane PAUL, Jens HAUSER, Paul SERMON, Christa SOMMERER, Gerfried STOCKER, knowbotic research, Edward SHANKEN, Oliver GRAU and many others. Historical derivations that go far back into art and media history are tied in intriguing ways to digital art. Key approaches and methods from Image Science, Media Archaeology and the History of Science & Technology will be discussed. Media Art History offers a basis for understanding evolutionary history of audiovisual media, from the Laterna Magica to the Panorama, Phantasmagoria, Film, and the Virtual Art of recent decades. Using online databases and other modern aids, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are introduced. Artists and programmers give new insights into the latest software and interface developments.
The course is held predominantly in English, the master´s thesis can be composed either in English or in German.
Sabine Weber, MSc
Telefon: +43 (0)2732 893-2569, Fax: +43 (0)2732 893-4551
E-Mail: sabine.weber@donau-uni.ac.at
source:MediaArtHistories
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VIDA 11.0 AWARDS
VIDA 11.0 rewards works of art developed with artificial life technologies and related disciplines: robotics, artificial intelligence, etc. It is looking for works of art with emerging behaviours, which evolve over time, react with their environment and seem to have a life of their own. VIDA 11.0 is searching projects that relate technology with biology and that research synthetic characteristics of modern life.
In previous editions, prizes have been awarded to artistic projects created with robots, avatars, recursive chaotic algorithms, knowbots, cellular automata, computer viruses, virtual ecologies that evolve with user interaction, interactive architectures, augmented reality pieces and works that explore the social aspects of A-life.
A total of €40,000 will be awarded to the three projects selected by the jury: First prize: €18,000(*), Second prize: €14,000(*), Third prize: €8,000(*). The winning pieces may be exhibited at Fundación Telefónica Virtual Museum and in the exhibitions related to art and new technologies it organises or takes part in.
Works of art submitted must not be more than two years old. This enables the Competition to keep updated and aware of the last technological trends in the field of artificial life.
VIDA 11.0 - ARTISTIC PRODUCTION INCENTIVES IN IBEROAMERICA, SPAIN AND PORTUGAL
The second category of the VIDA 11.0 International Competition aims to help fund artistic A-life projects (and related disciplines) that have not yet been created. The competition is open to participants from Iberoamerica, Spain and Portugal.
With prize money totalling €40,000 (*)., this category will reward from one to three projects that deal with a relevant A-life concept and demonstrate the artist's capacity to produce the piece and outstanding quality in previous work.
ENTRY
To enter both categories (“Finished Projects” and “Artistic Production Incentives”), carefully read TERMS AND CONDITIONS and complete the ENTRY FORM.
ALL material should be submitted on electronic media (CD or DVD) before the 6th of October 2008, to any Fundación Telefónica office in Spain (Madrid) or Latin America (Mexico D.F., Sao Paulo, Buenos Aires, Santiago de Chile and Lima). The addresses are included in the documentation. Entry forms can also be sent via email to vida@telefonica.es, provided that the applicant enables a url containing the rest of the audiovisual material required.
DATES
Dates for submitting projects: from the 15th of June 2008 to the 6th of October 2008.
JURY
The pieces presented will be examined by an international jury. The members of the jury are: Mónica Bello Bugallo (Spaina), Daniel Canogar, (Spain), Sally-Jane Norman (France/New Zealand), José-Carlos Mariátegui (Peru), Simon Penny (USA/Australia), Nell Tenhaaf (Canada).
ENQUIRIES
Applicants may view the projects that won previous editions of the competition on the VIDA website (PREVIOUS EDITIONS), in order to check whether their projects adapt to the philosophy of the award.
If you have any questions, you can check the FAQ section. You can also contact us by sending an email to vida@telefonica.es or calling (0034) 91 584 23 00.
source:telefonica.com
source: Rhizome
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PaulaBarr Chelsea Announces International Juried Art Exhibition 2008 Juror: Myriam Rotzetter EXHIBITION: OCTOBER 16 – OCTOBER 25, 2008 DEADLINE FOR ENTRY EXTENDED TO: SEPTEMBER 1, 2008 PaulaBarr Chelsea, located in the heart of the Chelsea Art community, has encouraged artists since 2001, and we look forward to showcasing the work of even more artists in the First Annual International Juried...
Link:
http://www.paulabarrchelsea.com/prospectus.html
Deadline: September 1, 2008
source: Rhizome
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Aferro Studio Residency
Now Accepting applications for 2009 artists in residence
Due December 15, 2008 (not postmark)
www.aferro.org
About Gallery Aferro:
Gallery Aferro is an artist owned and operated alternative space
founded in 2003 by Evonne M. Davis and Emma Wilcox. The mission of
Gallery Aferro is to bring cultural education and esthetic engagement
with contemporary issues to all people equally, and to create an
environment where artists can gather and share physical and
intellectual resources. We are working towards an arts community that
is available to everyone, without sacrificing quality of experience.
Founded in a converted factory building in the Ironbound, Gallery
Aferro was planned as a pilot project to be recreated in different
architectural forms, in multiple American cities.
The gallery is currently being run out of a donated 4 story building
in downtown Newark, NJ. We offer 12 exhibitions a year, featuring
local, national and international artists, a wide variety of events
such as
interactive public art projects, performances, talks, film screenings,
portfolio reviews and public usage based on the stated needs of the
community. We launched our residency program in 2006 and were one of
four nationwide recipients of a 2007 New York State Workspace
Consortium grant to improve it. A publishing line has been launched,
consisting of exhibition catalogs, original essays, and artist books.
About the Residency:
Several of the 06-07 Aferro Studio residents have commented that the
chance for informal networking with peers afforded by residency in the
building was one of the best aspects of their experience. Also
mentioned by residents consistently as a unique and valuable aspect of
the program was temporary ownership of a platform to interact with the
public.
Residents will be awarded a 1200-2000 sq ft studio for 6 months, with
24 hr access, access to visiting curators and other gallery directors,
a solo exhibition in our project space, and inclusion in an
end-of-program catalog highlighting their work over the length of the
residency. The current Aferro building can accommodate up to 5 artists
at a time. Artists will be selected on the basis of quality of work,
commitment to their field, and ability to interact positively with the
community at large. The program will aim for a mix of Newark and
non-Newark residents.
The Studios
Studios range in size from 1200 to 2000 square feet. The studios are
strictly work only spaces. The studios are raw spaces with minimal
amenities. Artists who are accepted into the program must be prepared
to actively use their studio. 6-month slots are available beginning
Feb 23, 2009.
Artist Responsibilities
$200 a month per studio covers all utilities.
Eligibility
There is no residency restriction for applicants. Artists in any
media may apply. The building is not appropriate for welding and
other open flame activities. Please contact us with any questions
about your application, our space or what you might want to do with
your time at Aferro.
Materials for Application
A CV\Resume
Artist Statement
A proposal for what you would like to do with your residency/statement of need
Contact Information
Work samples: DVD (NTSC) or CD (any form of digital file we can read from a Mac)
Gallery Aferro
c/o Evonne M. Davis + Emma Wilcox
248 Sherman Ave #43
NY NY 10034 USA
www.aferro.org
info.aferro@gmail.com
source: Rhizome
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MEDIATOPIA / ISEA SINGAPORE 2008
Call for Participation:
Submit any media files, playlists, links,node coordinates, live webcasts or URLs.
Please read criteria for Border Transmissions at ISEA 2008 Singapore for related context.
Your media can be uploaded or linked into the Mediatopia database and be included in the participatory sequence produced onsite at the National Gallery of Singapore and viewable / re mixable / mash-up-able on the net via live webcast.
For more information on this project, to submit images and to view the live broadcast visit the project site at: www.mediatopia.org.
Project Details:
The Mediatopia Project and related events will reflect upon the ISEA 2008 Border Transmissions Theme and will exploit the potential of networks, communication tools, alternate economies and experiential technologies as a collaborative engine to enable the emergence of a different conception of borders, and of the transmissions that problematize these demarcations.
It also seeks to expand the models of production and distribution that have arisen as social networks, hardware, generative software components, small-scale download practices and peer-to-peer protocols have changed the nature of not only how material is made but distributed. Mediatopia will act as an incubator and working model for experimentation, inquiry, and cross-cultural collaboration within the framework of these overarching themes.
Mediatopia seeks to expand upon the concepts of production and distribution as participants contribute discrete media from a variety of readily available sources, recognizing advances in technology, software and social networking strategies that have arisen in recent years. The Mediatopia project will be able to function as an international mashup/remix of broadcast media and simultaneously as a database and interface of freely accessible sound/video materials that transcends time, location, cultural and geographical borders without emphasis on market driven outcome.
The Mediatopia Project and scheduled events at ISEA 2008 will function as the primary event host while numerous satellite nodes worldwide will serve to further expand and engage the participating individuals in creative collaborations and cross cultural exchanges. The Mediatopia Project and related international events will be accessible online and live throughout ISEA Singapore 2008 and culminate in a 24 hour live remix in the Gallery Theatre at the National Museum of Singapore. To view, participate and/or contribute to the project or to see a complete list of participating artists and scheduled events both onsite and at remote nodes, please visit the project website at: http://www.mediatopia.org
source: Rhizome
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Birth Video
Building on the conceptual foundations brought forth through the works of psychologist Jacques Lacan and artist/writer Mary Kelly this project considers the current state of birth (reception and projection) in its captured form. Afterbirth is a proposed multi-channel, projected video installation. Live birth video will be sourced and edited from submissions received through an open call posted through internet communities.
WHY
1 : I dont remember being born, but my son (b.2000) does. He saw it on video. Now he “remembers.” How does this impossible memory change a perception of women, sexuality, discovery, privacy, self? (reception)
2 : A YouTube keyword search for “live birth,” “birth,” “home birth” turns up thousands of relevant results. Once the most private and mysterious processes of life, women now publish themselves in the throws of labor on the internet for their friends, neighbors, and the whole world to see, share and comment on. How does this presentation change the position of women, sexuality, discovery, privacy, self? (projection)
HOW
Afterbirth is comprised of several fluid video and sound composites projected and/or streamed. Visual and sonic content will be visceral (bodily, overstimulating) and intimate (human, emotional) and edited from live birth video submissions.
WHO
Artist/editor, contributors, and audience are all authors and partcipants, informing the collective result. Formally, this project is a processed visual and sound experience, but in broader sense it is a human study exploring a universal theme. Afterbirth is an investigation of the shift in memory, perception, this position of women, sexuality, discovery, and privacy.
Please send miniDV, dvd ntsc, or quicktime video of your birth experience to:
Jessica Westbrook, Assistant Professor
Department of Art
The University of Tennessee at Chattanooga
615 McCallie Ave. Dept. 1301
Chattanooga, TN 37403
Please include an email address and information about yourself and your experience. I will keep everyone posted on progress. If you would like your media returned please include postage. Thank you very much for contributing! Jessica
questions? contact jessica@jessicawestbrook.com
source: Rhizome
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OPEN CALL
Digital'08: Imagination On Behalf Of Our Planet
10th International Juried Digital Print Competition/Exhibition
at the New York Hall of Science
October 4, 2008 - January 25, 2009
Organized by Art & Science Collaborations, Inc. (ASCI)
What are the artists, scientists, and technologists of the twenty-first century thinking about our current environmental challenges? Can their artwork imagine new, positive approaches to sustaining life on planet Earth? Can it inspire us to confront the consequences of our current ways of living? Through the almost limitless possibilities of digital image technologies and computers, we invite competition entrants to examine their environmental concerns, indulge their fantasies, and then share their fabricated/ montaged visions of how a sustainable future might look, which might include new types of hybrid forms: plants, animals, humans, cities, transportation systems, food, etc. Let's boldly envision on behalf of our planet!
CO-JURORS:
~ Michael John Gorman, Director of the Science Gallery, Trinity College, Dublin
~ Cynthia Pannucci, Founder/Director, Art & Science Collaborations, Inc. (ASCI)
ENTRY DEADLINE: August 10, 2008
ENTRY DETAILS & GUIDELINES: http://www.asci.org/artikel981.html
source:asci.org
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The Unknown Artist Virtual Museum is seeking artistic collaborations to present in the FONLAD’s festival program between 3 October 08 and 3 January 09.
All type of digital works are permitted under curators decision.
http://www.uavm.net/english/visit/exhibits/watermarks/watermarks.html
mailto:info@uavm.net
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THEME: The 4th annual Pixel Pops! theme is "WIDE OPEN" in honor of the wide open spaces of the prairie in which the Krannert Art Museum is located and where Pixel Pops! will take place in November 2008. This theme can be interpreted in many ways, not limited to: widescreen and multichannel video works, panoramic video, fast paced and rapidly changing imagery, etc. Preference will be given to works that embody this theme or subvert it in interesting ways.
2008 CURATOR/ORGANIZER is DAMON LOREN BAKER. Damon is the Associate Curator of Art, Design, and Technology at the Krannert Art Museum.
SUBMISSION DEADLINE: AUGUST 25th, 2008. Online submissions only.
Visit http://www.poppingpixels.org/ to submit online.
ACCEPTED FORMATS: Preferred file formats include: MPG, MOV, SWF. We will work with artists who have files in other formats as much as possible. We are especially open to pieces that require widescreen (16:9, 16:10) aspect ratios and multichannel video works in a diptych/triptych format.
PLEASE NOTE: ONLINE SUBMISSIONS ONLY ACCEPTED. FOR SUBMISSIONS PLEASE SEND SMALLER VERSIONS OF YOUR FILES IN THE .MOV, .MPG OR .SWF FORMATS. Maximum SUBMISSION file size: 5MB. IF WORK IS ACCEPTED WE WILL ASK FOR A LARGER VERSION TO BE SENT VIA FTP OR DVD.
EXHIBITION DATE/PLACE: The 2008 exhibit will be in November held at Krannert Art Museum at the University of Illinois at Urbana-Champaign, USA.
source: poppingpixels.org
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Share Prize 2009
It’s open the subscription to the 3° edition of the Share Prize 2009. The main requisite for participating in the competition is to create a work in which digital technology is applied as a language of creative expression. There is no limitation to shape and format, combinations with analogical technologies and/or any other material (eg computer animation / visual effects, digital music, intera...
Deadline: September 30, 2008
http://www.toshare.it/eng/share-prize
source: Rhizome
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Call for proposals
deadline 31 October 2008
JavaMuseum- Forum for Internet Technology in Contemporary Art
www.javamuseum.org is looking for Internet based art (netart) for a series of netart features during 2009
.
JavaMuseum, founded in 2000 as a corporate part of [NewMediaArtProjectNetwork:||cologne - www.nmartproject.net, the experimental platform for art and New Media, is one of the relevant platforms for Internet based art on the net.
Under the direction of Wilfried Agricola de Cologne, JavaMuseum realised 20 showcases and competitions of netart in a global context between 2001 and 2005 and is hosting comprehensive collection of netart from the years 2000-2004 including more than 350 artists.
In 2006 and 2007, JavaMuseum was undergoing a restructuration phase and launched
JIP - JavaMuseum Interview Project, containing meanwhile more than 80 interviews. The netart features 2007 became part of NewMediaFest2007
JavaMuseum is looking for netart projects, which are completed after 1 January 2005 and are not part of the JavaMuseum, yet.
Max. 5 proposals can be submitted.
http://www.nmartproject.net/netex/?p=329
source:The Network
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CALL FOR SUBMISSIONS
AveCom "It's all in the game"
October 3rd - 26th 2008, Arnhem - Nijmegen, The Netherlands
'Interactivity' is a word that seems to gain more importance and magic everyday. In 2008 AveCom focuses on an audiovisual phenomenon that is indisputable connected to interactivity: games.
AveCom and Square Eyes Festival are organizing an event based on the
interactivity between art and games entitled: "It's all in the
game..."
A 3-day festival, October 3rd - 5th, consists of digital movies,
installations, performances and live-cinema. This festival will kick off a 4-week exhibition in which all imaginable fields of art that were inspired by the game-world and vice versa, will be shown.
For information, deadlines and entry form:
www.avecom.nl and www.square-eyes.org
AveCom is an activity of the CBKGelderland and is funded by the Province Gelderland.
CBKgelderland
Kortestraat 27
6811 EP Arnhem
The Netherlands
www.cbkgelderland.nl
source: Rhizome
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The artselector website is currently undergoing a major redevelopment.
Our new site is due to go live in the next few weeks and will build on the success of the artselector contemporary fine art visual directory to provide a full featured contemporary fine art community site, all free to our users.
For the re-launch we are seeking submissions of written content
We are looking for all types of content including articles, reviews, critiques, all forms of contemporary art discourse and also experimental / performative writing.
To submit your text(s) for consideration please email it to us as a .doc or .txt file to: submissions@artselector.com
We look forward to reading your submissions!
Best wishes
The artselector team
http://www.artselector.com/
source: Rhizome
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International Museum of Women Announces Call for Submissions
Submit your work to the Women, Power and Politics global online exhibition
You can submit your original political artwork, essays, film shorts, poetry, photography and cartoons to be considered for the Women, Power and Politics online exhibition at I.M.O.W. From March 8 to December 31, 2008, Women, Power and Politics focuses on a provocative new topic each month and uses community-submitted work to start a dialogue on the issues. Work can be submitted directly online in Arabic, English, French and Spanish. To learn more about the submissions topics and how to submit your work, visit www.imow.org/submissions. Deadlines vary for each monthly topic, so please visit our submissions page for more information. To start exploring Women, Power and Politics, login at www.imow.org/wpp
source: Rhizome
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Espace Videographe, the programming division of Videographe, invites artists, curators, art centres and galleries to submit proposals for video art programs and media-arts exhibitions.
Every year Espace Videographe presents seven activities in different venues, and in partnership with other cultural organizations. Since its founding in 1998, Espace Videographe has been devoted to promoting and exhibiting video art in its various forms and through its relationships with other artistic disciplines.
Projects can be submitted once a year and are reviewed by a committee of peers. We welcome proposals from emerging curators and artists as well as established ones. We encourage proposals that provoke thought on the language of video and its modes of representation, encourage debate, and promote exchanges between different media-arts practices and between local and international production.
Another open call will be launched next August specifically dedicated to a video installation project (multiprojection) by an emerging Quebec or Canadian artist (in this case, residency and exhibition). This initiative is made possible with the precious collaboration of Videographe Production.
SUBMISSIONS MUST INCLUDE:
- Project description
- Artistic statement
- List of works to be programmed
- List of technical resources (equipment) supplied by applicants
- List of technical requirements for exhibition
- CVs for applicants
- Visual, Sound or Web Documentation with descriptive list of works
(accepted formats:VHS, DVD, miniDV, NTSC and PAL;CD-ROM, DVD-ROM)
- List of the project’s venues if applicable
- Press kit if available
-Self-addressed stamped envelope
Please note that projects submitted previously may not be resubmitted unless the artist is invited to do so. Programming proposals must include the bulk of the works selected, with supporting visual documentation.
DEADLINE: WEDNESDAY, OCTOBER 1ST, 2008
Decisions will be sent to applicants in December
The proposals must be sent by post and be at our office by 5:00
Espace Videographe
Att: Sylvie Roy
6560, Esplanade Avenue, Suite 305
Montreal, Quebec, CANADA H2V 4L5
Phone: (514) / Email : espace@videographe.qc.ca / www.videographe.qc.ca
source: Rhizome
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ASPECT SEEKS MEDIA ART SUBMISSIONS FOR VOLUME 13: PUBLIC
ASPECT: The Chronicle of New Media Art, a biannual dvd publication, is currently seeking time-based documentation of artwork in the public sphere for Volume 13: Public. Expanding the notion of public art, this issue will focus on artists’ interventions within civic space, ephemeral or monumental.
The staff of ASPECT is seeking curators, art critics, and members of the contemporary art community to help assemble and comment on works for this issue by submitting a work of art on which they wish to provide audio commentary. Due to the format of the publication, the criteria for selection will include both the qualifications of the commentator and the quality of the work submitted. Audio recordings of the commentary will be assembled after the submissions have been selected.
Submissions should include:
- Video documentation of a work or small group of works by a single artist (no more than 15 minutes in length)
- A brief (100 word) statement regarding the submitted work
- Resume of the artist
- Contact information for the commentator and artist
- Resume of the commentator
- Brief notes outlining the contents of the proposed commentary in relation to the theme, V13: Public.
Submissions must be received by August 25, 2008 and sent to:
ASPECT: The Chronicle of New Media Art
46 Waltham Street, suite 103
Boston, MA 02118
617.695.0500
All artists will be contacted via email regarding their submission no later than October 1, 2008
For more information see our FAQ:
http://www.aspectmag.com/contact/faq.cfm
aspectmag.com
source: Rhizome
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Piksel08: code dreams
december 4-7 2008
Bergen, Norway
How does code dream? What are the dreams of code?
Piksel08 examines the other side of code, an alternative side to a hard-coded
reality of work and play. Open hardware and free software project a utopic
vision, yet exist within economies of capital, the dream factory of
mainstream technology. Within the chance meeting of sewing machine and
umbrella on the dissecting table, hardware and software are flattened.
Piksel08: code dreams explores the dreams of this soft machine; bachelors
coding for pleasure, reverse engineering paranoiac constructs of the real,
automatic coding practice, soft hardware, and everyday magic.
<<<<<<<<>>>>>>>>
**open call:
1. Installations
Projects related to the code dreams theme including but not restricted to:
reverse engineering, soft hardware, code poetry, novel instruction sets,
invisible exploration, ghosted computation...
programmed by and running on free and open source software and/or open/DIY
hardware.
2. Audiovisual performance
Live art realised by the use of free and open source software. We specially
encourage live coding and DIY hardware projects to apply.
3. Software/Hardware
Innovative DIY hardware and audiovisual software tools or software art
released under an open licence.
<<<<<< Deadline - august 15. 2008 >>>>>>
Please use the online submit form at:
http://piksel.no/piksel08/subform.html
source: Rhizome
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The Geographical Web or Geoweb
Call for Projects: Residency Program for Web Art
Deadline: August 15, 2008.
Throughout the year 2009, Agence TOPO will produce a body of Web works comprising geographic references. The selection of the works and their critical contextualization will be ensured by the guest curator Sylvie Parent.
Nowadays, the popularity of cartographic and earth visualization tools such as Google Maps and Google Earth has become an increasingly tangible component of how we experience the Web. Moreover, the use of geolocalization systems, such as GPS, is spreading and increasingly present in the digital world. Artists are appropriating these technologies to create travelogues, to reflect on urban space, and to conceive collective psychogeography and locational media projects.
Artists interested in this theme, and by the production context offered by Agence TOPO are encouraged to submit their proposals. The projects could also include an “off screen” component, such as performance, installation, exhibition or mobile networks, that complements and expands the Web features and possibilities.
In order to respect the foreseen deadlines, projects currently under development and those demonstrating a strong commitment from the artists will be given priority. The selected artists and projects will benefit from technical support for a period of 4 to 8 weeks within a residency program that can be spread out over time depending on the artists’ needs and specific project requirements.
The selected artists will have the following benefits:
- Production fees
- Access to a computer and audiovisual equipment
- Web design assistance (programming and multimedia integration)
- Organization of a launching event in Montreal (Fall 2009)
- Publication
Submissions / Due date: August 15, 2008
- Project proposal
- Description of technical needs
- Proposed work timetable (Spring – Summer 2009)
- Summary of artistic approach
- Press kit
- Curriculum vitae
- Visual/audiovisual documentation
- A stamped addressed envelope for the return of the documents
We do not accept proposals sent by email
or only available through a website
Sylvie Parent
Art Critic and Independent Curator
Sylvie Parent is a freelance curator and writer living in Montreal. Over the last ten years, she has been involved in numerous electronic publications. From 2002 to 2004, she was the French editor of HorizonZero, an online magazine published by the Banff New Media Institute. Before that, she was the chief editor of the CIAC's Electronic Magazine (1997-2001). Ms. Parent has written texts for many publications and contributed to websites such as Archee, MobileGaze, The Daniel Langlois Foundation for Art, Science and Technology, ZeroOne San Jose/ISEA 2006. She curated the Web art component of the Biennale de Montreal 2000. With Valerie Lamontagne, she co-curated Location/Dislocation for the New Museum of Contemporary Art in New York in 2001.
AgenceTOPO.qc.ca
At the Crossroad of Visual Arts, Literature and New Media
Agence TOPO is an artist-run centre dedicated to the creation, dissemination and distribution of independent multimedia works. Founded in 1993 to encourage and promote photographic creation in all its forms of, TOPO now initiates, produces and supports Web art projects while acting as a promoter and distributor of independent art CD-roms, DVD-roms and video DVDs.
Send your projects to Agence TOPO
Michel Lefebvre, General Director
5455 de Gaspe, suite 1001
Montreal (Quebec) H2T 3B3
T 514 279 8676 – agence@agencetopo.qc.ca – www.agenceTOPO.qc.ca
source: Rhizome
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